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Zoom h8 vs h6 preamps – none:.Zoom H6 vs Zoom H8 (Which is Best for you?!)

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Remember Me? The No. Today’s Posts competitions support us FAQ advertise our advertisers newsletter. When you buy products through links across our site, we may earn an affiliate commission. Learn more. Are the preamps on Zoom H6 significantly better than those on H4n? I don’t think these things can cure cancer like most people would have you believe here, but I’ve found them to be rather nice performing mics for the price.

They say I can get the volume I want when I normalize in post. The recording turns out OK, but when I normalize to -1 or -3db , I get unacceptably high level of noise which I assume is either preamp noise or CM3 self noise. What gives? Would my results get better if I sold the H4n and got Zoom H6?

I set the preamp gain at 40 or bellow, like most people recommend. My Studio. CM3 is 78dB. Record through both at dB peak and how many bits do we end up with? Biscuit for the correct answer. Sounds like you know more than me on this subject, so I’ll keep quiet and listen instead! So do I have the wrong gear then? But here’s the thing I got a Rode NT1-A which is a super low self noise mic. I just recorded female vocals with that going into H4n and set the preamp at After I normalized the signal, it was still as quiet as it was before normalization.

No noise to worry about. I don’t understand this. The CM3s are brand new and have no defect. After I normalized the signal, it was still quiet and it was before normalization. Vesta What peak levels are you seeing when recording with the CM3s? Do you mean the Zoom’s meters are showing peaks of ?

Attached Thumbnails. I reckon you’re recording waaay too cold, try another recording and use the Zoom’s meters to monitor levels while you record. My Zoom H2n also comes with limiters, so I’m pretty sure yours has the same.

That should make it less scary to record a little hot. I will hold my hands up and say the pre’s aren’t the quietest around, but they have been more than useable for my purposes recording location SFX and ambiences and dialogue. James Lehmann. Troubleshoot one issue at a time. I’d suggest taking normalising out of the equation altogether while you chase down the noise problem in your system. Personally, I wouldn’t employ normalisation at all on anything, but you can read up on the pros and cons of that later.

As has been suggested, with a decent bit ADC you can run the peaks at dBfs without fear of this area of the chain adding audible noise. Once you’ve chased down all these other variables – and perhaps made an upgrade – you can make a call on the mics themselves. The CM3 published self-noise is 16dB A – not the quietest, but not excessive. Reason: Quoting nonsense – should have fact-checked before posting! Btw, are you recording with the H4n hooked up to a power source or running on batteries?

Because I think on batteries the amount phantom power it gives out can vary, and I’d imagine lower-than-optimal phantom into those already-not-the-quietest mics could also cause more than enough noise. And of course, as noted, the levels are pretty damn low in that example recording. Thanks for trying to help me out here, guys.

I only recorded using the power adapter, since condenser mics drain the batteries on H4n in minutes. As far as self noise, I didn’t know the difference between CM3 as cheap as it is and Schoemps MK21, for example, was that significant. I thought it was quite negligible looking at the published specs, which show CM3 to have 16db self noise and MK21 only two db’s lower at 14db.

Is that such a big deal? In any case, I’m thinking about upgrading to H4n, since from what I gather reading elsewhere on this forum, its preamps are clearly inferior to H6’s. Furthermore, my limited research has shown that the preamps on H6 have been demonstrated to match professional preamps costing several thousand dollars.

I found this blind test hair-raisingly interesting. Additionally, I would really appreciate to get more info on why you think normalization is a bad idea to begin with maybe links to other posts, in case you have to repeat stuff you said too often here.

So, perhaps I should just move on to H6 and never worry about mic pres, focusing my attention to other gear I will need to acquire to create and produce music. Top Mentioned Manufacturers. Facebook Twitter Reddit LinkedIn. Subscribe to our mailing lists. By using this site, you agree to our use of cookies. Code by Port Forward. Hosted by Nimbus Hosting.

Connect with Facebook. Zoom H4n! Recording 4 tracks simultaneously! MaineJess 25th March Zoom H4n daveybasso. The Listener. Line Audio CM3 Vs. Schoeps MK21 DaveyJones. DaveyJones 13th February

 
 

 

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Please enter a question. The H6 is the ultimate portable recorder. With its advanced preamps and interchangeable capsules, the H6 delivers unmatched versatility and award-winning quality. From the studio to remote locations, podcasts are produced everywhere.

With inputs for every guest, the battery-powered H6 is a complete portable podcasting solution. Featuring interchangeable mic capsules, узнать больше здесь combo inputs and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you. Record continuously for over 20 hours /26504.txt just four AA batteries or extend your recording time indefinitely with the optional AD adapter.

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